After this process, all we have to do is create the bassline. We do this because we want the notes to sit properly across the keyboard.
How to get rid of clicks from sample chops slioce x how to#
In continuation, after I dropped the fresh sample into the channel rack, you will see how to set the root note. And on the next tab, you can add some portamento to the bass – a technique widely used in trap music. That’s why I recommend you to work on long 808 kicks, or to find those “sweet” points where, if the loop will repeat, the transition will be smooth, leaving the impression of continuous sound.Īnother option to avoid the “muddy” sound would be to uncheck “Use loop points” from “Sample settings” tab, then go through the “Envelope / instrument settings” tab and activate the envelope and set the ADSR as you wish.
But of course, choosing to add loop points has its cons: if I keep the MIDI key pressed for a long time, at a certain point the sample will repeat. Also, when I draw the notes in the piano roll, I want the sound to the correspond to the length of note. When I release the MIDI key, I want the sample to stop.
Some may ask why I do this? I do it because when I will play the sample with my MIDI keyboard (or draw the notes in piano roll), I don’t want my sample to play its entire waveform. Before I drag & drop the sample in the channel rack, I set the loop points. Plus, you’ll see what you have to do, to transform a piece of loop you like into a “synth” that you can use at your discretion and create entirely new melodies.Īt first, I take a long 808 kick sample, open it in Edison and use the in-built pitch detector to determine its root key. To be more explicit, here’s what it is: know how to find in what key is a kick sample to use it later as bass line. Phew! Re-reading the above, I realize that it sounds pretty weird.
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